The exhibition presents the Canadian premiere of Anri Sala's immersive video installation, 'Ravel Ravel Interval' (2017).

The work “Future is a faded song” by Anri Sala offers an immersive experience where visitors are invited to explore the depths of the Ikurado cave.

Under the Azure is an exhibition paying tribute to the Mediterranean Sea, to the imagery it evokes, to the awe it inspires, and to the ancient and contemporary myths associated with it.

This exhibition focuses attention on artworks, artefacts, performances, figures and events, that authorize complexity, in which bodies and modes of perception become the agents of contradictory states and troubled histories.

Anri Sala revives the historical craft of al fresco painting, in relation to thoughts about temporality and narrative, themes that are crucial to his oeuvre.

Anri Sala will speak with Benjamin Herzog about the making of 'Ravel Ravel Interval' (2017).

Tacita Dean and Anri Sala participate in a group exhibition of time-based media works from the collection of the Emanuel Hoffmann Foundation.

His works investigate ruptures in language, syntax, and music, inviting creative dislocations, which generate new interpretations of history, supplanting old fictions and narratives with less-explicit, more-nuanced dialogues.

Anri Sala collaborates with Olivier Mignon on a billboard project in the city of Kanazawa, Japan, and releases a new limited-edition print.

This month at Bourse de Commerce, there will be a series of musical performances to complement Anri Sala's films, currently on view at the museum.

The Bourse de Commerce presents a solo exhibition by Anri Sala, focusing on his immersive film and sound installation, 'Time No Longer' (2021).

This exhibition, inspired by the oeuvre of Felix Gonzalez-Torres, includes works by Marcel Broodthaers, Pierre Huyghe, Anri Sala and Tino Sehgal.

Anri Sala's most recent film and sound installation, 'Time No Longer,' is conceived for the Palazzo della Ragione in Bergamo.

Anri Sala's first video work, 'Intervista' (1998), is showcased in a group exhibition exploring the foreignness between parents and children.

'CRAZY: Madness in Contemporary Art' invades the interior and exterior spaces of the Chiostro del Bramante in Rome, because madness can have no limits.

This exhibition celebrates the history of experimentation across the disciplines of art and music and pays homage to artists who have demonstrated a deep engagement with the field of music.

all the lonely people travels from Berlin to Los Angeles.

Cerith Wyn Evans and Anri Sala participate in a group exhibition that explores translation as a creative process.

“Ode to a Tail” by Anri Sala is a performative installation that is an elegy to the extension of perception.

Anri Sala and Thomas Struth participate in a group exhibition that examinines loneliness, melancholy, and longing against the backdrop of the current pandemic.

New and recent works by Anri Sala are showcased in a solo exhibition at Kunsthaus Bregenz.

Pierre Huyghe, Anri Sala, and Tino Sehgal present site-specific projects at LUMA Arles on the occasion of the Foundation's opening in the French city.

Around 90 artists from 34 countries stand with their works for the enormous diversity and vitality of the contemporary European art scene, from Portugal to Russia, from Norway to Turkey.

Pierre Huyghe and Anri Sala participate in a group exhibition examining the notion of stillness as both a performative and visual gesture.

Watch Anri Sala discuss the inspiration and ideas behind 'Time No Longer,' his latest sound and film installation at the Buffalo Bayou Park Cistern.

Anri Sala has been commissioned by the Buffalo Bayou Partnership to create a film and sound installation for the Buffalo Bayou Park Cistern.

Through the unique ideas and actions of 15 artists, including Anri Sala, '2020+' attempts to open a multi-dimensional space for understanding.

Centro Botín presents AS YOU GO (Châteaux en Espagne), a new project by Anri Sala.

Anri Sala’s exhibition includes an ensemble of new and recent works, including 'The Last Resort (2017),” a sound installation of thirty-eight snare drums.