Positioned as the second chapter of the artist’s solo exhibition held at the same venue in 2018, this exhibition features pillars of light extending from the floor to the ceiling, a transparent sculpture composed of automated crystal glass flutes, and a large-scale neon work based on an excerpt of the Japanese translation of Marcel Proust's novel, In Search of Lost Time.

In this exhibition, Evans places pillars of light and a series of pine trees within Isamu Noguchi’s stone garden “Heaven.” The pillars of light slowly blink repeatedly, generating a certain tempo that emphasizes the timbre (tone quality) of the garden, while the pine trees positioned throughout the stone garden in a manner emulating a Noh stage, evoke the “texture” of time through their organic presence. The stone garden is no longer a mere venue for exhibiting works but is transformed into a stage of sorts through Evans’ creations that function as a mise en scene.