Four details of the same painting, where the presence of Oscar Wilde - the writer particularly loved by the artist - is identified, are arranged in four different orientations; all surrounded by an irregular checkerboard of paintings and frames underlining and amplifying the four central images. Paolini writes: "to recompose the reproduction of an artwork, through rotation and juxtaposition, it is not an iconoclastic gesture but is equivalent to imagining it in another way."