Adrián Villar Rojas

Adrián Villar Rojas was born in Rosario, Argentina in 1980. He lives and works nomadically. Villar Rojas conceives long term projects, collectively and collaboratively produced, that take the shape of large-scale and site-specific installations, both imposing and fragile. Within his research, which mixes sculpture, drawing, video, literature and performative traces, the artist explores the conditions of a humanity at risk, on the verge of extinction or already extinct, tracing the multi-species boundaries of a post-anthropocene time folded in on itself, in which past, present and future converge.

Recent exhibitions include The End of Imagination, Art Gallery of New South Wales, Sydney (2022); El fin de la imaginación, The Bass, Miami (2022);Poems for Earthlings, Oude Kerk, Amsterdam (2019); The Theater of Disappearance, The Geffen Contemporary at Moca, Los Angeles (2017); NEON at Athens National Observatory, Greece (2017); Kunsthaus Bregenz, Austria (2017); The Metropolitan Museum of Art, New York (2017).

Villar Rojas has been the recipient of numerous awards including Sharjah Biennial Prize, awarded by the Sharjah Art Foundation (2015), The Zurich Art Prize at the Museum Haus Konstruktiv (2013); the 9th Benesse Prize in the 54th Venice Biennale, (2011); the Nuevo Banco de Santa Fe Scholarship for Young Artists (2006); and the first prize in the Bienal Nacional de Arte de Bahía Blanca at the Contemporary Art Museum of Bahía Blanca, Argentina (2005). In 2020 he was nominated for the Hugo Boss Prize. 

Participation in international group exhibitions include the Gwangju Biennale, South Korea (2018); 14th Istanbul Biennial, Istanbul (2015); 12th Bienal de La Habana, La Habana (2015); Sharjah Biennial 12, Kalba (2015); dOCUMENTA (13), Kassel and Kabul (2012) and 54th International Art Exhibition: La Biennale di Venezia, Argentina’s National Pavilion, Venice (2011).